Once a bustling terminus built by German hands, the station at Alemanía now stands as a ghost in the Calchaquí Valley. Since the line’s closure in 1971, the tracks -once symbols of progress and connection - have been surrendered to the encroaching jungle. This frame captures the industrial path bisected by living timber, a silent reminder that the earth eventually reclaims all that is abandoned. Optical Metrics: 35mm f11 1/400 ISO 320

On the wild, driftwood-strewn shores of the West Coast, a fleeting monument to memory stands against the Tasman Sea. These small, spirit figures, - crafted from flax, twine, & salvaged timber - clinging to their bleached perch - are like a goddess with her children. At Hokitika, the boundary between land & sea is a graveyard of forest debris, yet here it becomes a birthplace for art. The high contrast edit emphasizes the grit of the stones & the drama of the sky. Optical Metrics: 24mm F7.1 1/500 ISO100

On the wild west coast, Hokitika Beach serves as a vast repository for the ocean’s wooden detritus. The shoreline so densely covered in flotsam that the sand itself is nearly invisible. The sheer volume of silvered wood and the fine mist of sea spray transform the beach into a cinematic landscape. With conical wood structures rising like monuments against a backdrop of heavy, glowering clouds, the scene takes on the atmospheric weight of an ancient battlefield. Optical Metrics: 115mm f11 1/250 ISO 100

Perched on the slopes of Mt. Taygetos, the medieval city of Mystra stands as a silent sentinel of the Byzantine Empire. This interior study of one of its historic churches utilizes selective colour to breathe life back into the weathered frescoes and the intricate pulpit, pulling the faded Byzantine frescoes and the ornate pulpit out of the shadows and making the history of this ghost city feel much more immediate. Optical Metrics: 28mm f7.1 1/50 ISO 1250

On the desolate stretches of New Zealand’s South Island, the sea occasionally surrenders its stowaways. This skeletal remains of a tree, bleached and sand-scoured, stretches across the beach like a fossilized relic. By rendering the scene in high-contrast monochrome, the focus shifts to the intricate textures of the rippled sand and the brooding, atmospheric sky, framing a moment of profound coastal isolation. Optical Metrics: 24mm f11 1/400 ISO 100

Enveloped by emerald moss and the scent of damp earth, the wooden walkway winds through the quiet intimacy of the forest floor. The linear precision of the path provides a brief, structured window against the dense, tangled undergrowth of the forest floor. It feels like a landscape straight from a Tolkien novel. Optical Metrics: 28mm f6.3 1/125 ISO 1000

Daishō-in is a historic Japanese Buddhist temple on Mount Misen, the holy mountain on the island of Itsukushima, off the coast of Hiroshima. The Rakan statues represent enlightened beings, known as arhats in Sanskrit and were the original disciples of the historical Buddha, called Shaka Nyorai in Japan. The statues are cast in the Chinese style and displayed in a group of 500. Look closely and you will see they are each unique in their expressions and poses. Optical Metrics: 70mm | F8 | 1/80 | ISO100

Winding through the heart of Tasmania's wilderness, the iconic Overland Track stands as a journey of both endurance and preservation. This composition highlights the silvered wooden walking platforms as they snake elegantly through a grove of ossified trees, allowing travellers to navigate the fragile alpine terrain without fracturing the delicate earth below and surrounded by ancient, skeletal timber sculpted by decades of fierce sub-alpine winds and frost. Optical Metrics: 28mm | F8 | 1/200 | ISO100

The primary sanctuary of the Vat Phou temple complex. This composition emphasizes the relationship between the weathered, lichen-covered stone, the vibrant greenery of the surrounding landscape and the single figure of an old woman contemplating its faded grandeur. A quiet, observational study of a UNESCO World Heritage site where nature and history have achieved a perfect, silent balance. Optical Metrics: 28mm f5,6 1/125 ISO 500

Older than the great temples of Angkor, Vat Phou sits at the base of the sacred Lingaparvata mountain. A study in ancient geometry and tropical reclamation. Vat Phou is a masterpiece of landscape engineering, designed to mirror the celestial world on the banks of the Mekong. This frame captures the lower temples just as the afternoon light hits the stone, highlighting the intricate carvings and the skeletal palms that stand guard over the ruins. Optical Metrics: 28mm f8 1/160 ISO 100